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Archive for the ‘P2P and Filesharing’ Category

Around seven years ago when pressure was first starting to form against the then-fledgling BitTorrent scene, attitudes were pretty much as they are now. “They’ll never stop it, we’ll always find a way,” cried the masses grabbing music, movies and software for free, and few disagreed.

Of course, there will always be a way to acquire media free of charge, the last few decades have shown us that. But the media industries are now having to find new ways to defend their corner. There has always been talk of Big Movies or Big Music ‘owning’ politicians and lawmakers, but while this is true to the extent that their immense lobbying power allows, there has also been another more serious threat on the back-burner.

If the RIAA or MPAA owned – literally – all the major ISPs, they could affect the piracy landscape quicker than ever before. A simple rewrite or tweaking of subscriber’s Terms of Service would ensure that anyone proven to be a pirate could be ejected from the Internet in an instant, no laws needed. While this is unfeasible right now, there are easier ways of encouraging the same, like business partnerships and promises of profit.

According to a new study titled “Is There A Commercial Argument For ISP Music Services” commissioned by the BPI on behalf of Universal Music and carried out by industry analyst Ovum, if the UK’s most prominent ISPs all more or less immediately launched subscriber packages that included bundled music, they could generate new revenues of £103 million by 2013.

The BPI say this figure is based on a ‘medium adoption scenario’ and is an amount equal to 41% of the total 2009 digital music market. In an ‘accelerated adoption scenario’ the study says that the revenues could nearly double to £203m.

Aside from the profitability implied by these revenues, the report seems keen to offer other incentives to the major ISPs – Virgin Media, Sky, BT, O2, Orange and TalkTalk – to get involved in the music business. The study suggests that the inclusion of a music element to bundles would reduce subscriber ‘churn’ – the rate at which customers cancel their contracts. The example given is that an ISP with 3.5m customers could save £20m if the bundling of music cut churn by 10%, although there is no information to show that it actually would.

While suggesting good business is to be had in getting a little involved in the music business, the BPI is keen to point out that for ISPs, the more involved they get, the more they can make.

“The revenue prospects for bundled ISP music services would be substantially increased if services were offered to consumers in tandem with meaningful action to tackle illegal music downloading,” say the BPI.

We approached TalkTalk, an ISP referred to in the study, for a comment.

“TalkTalk thanks the BPI for its strategic business advice. Though some may question the value of such insight from an industry which has failed to acknowledge the impact of new technology on its own business models and is pressing the Government to criminalise its biggest customers,” a spokesperson told TorrentFreak.

Clearly TalkTalk doesn’t want to do the music industry’s dirty work for them, but if other ISPs got heavily involved in the music distribution business it might be considered natural for them to try and protect their revenues. That said, the leap from simple common carrier to having a vested interest could complicate their position.

Nevertheless, another issue the report highlights is that heavy competition is driving down the price of broadband services while consumer desire for bandwidth continues to increase. In any business working in plain commodities, the desire to bring in more profitable “added-value” products is strong.

“It’s increasingly clear that it isn’t smart to be a ‘dumb pipe’. This report shows that the revenue potential of digital music services alone makes sound economic sense for ISPs,” said BPI Chief Executive, Geoff Taylor.

So let’s imagine that the ISPs want to get involved in this market, offering bundled music for an extra £6.49 (the price level suggested in the report) – what would be so wrong with that? It’s pretty affordable after all, so why not give it a chance?

“With the right service platform, user experience and merchandising strategy, ISPs have an opportunity to reach a green-field digital music market that mainstream download-to-own services such as iTunes do not reach today,” explains report co-author and Ovum’s principal analyst, Adrian Drury.

So these suggested services aren’t of the “fill up your iPod” type, but of the “can only be used sitting-at-your-computer streaming services with limited download allocation” type. Surprised? Us neither.

Trying to convert those currently using file-sharing services over to paid models is already a big challenge. Trying to switch them to an inferior product whilst being hounded by their ISP on behalf of the music industry is a different matter altogether, and something TalkTalk refuses to be drawn into.

“Perhaps there is a goldmine for ISPs in legal downloads but that will not alter the fact that the copyright protection proposals being proposed threaten human rights,” their spokesperson told us. “They will penalise innocent broadband customers. They are expensive, unwieldy and utterly futile.”

If the record labels really did own your ISP, this is the type of environment subscribers would be pushed into. And you’d still have to fill up your iPod elsewhere at additional cost.

Article from: TorrentFreak, check out our new blog at FreakBits.

Since 2005 the SXSW music festival has published thousands of free tracks from participating artists. For some of the previous editions, SXSW itself has offered torrents for the artist showcases, but since 2008 this task has been delegated to the public.

Since all of the MP3s are available for download on the festival’s site, it only takes one person to get a torrent up and running.

In 2008 it was Greg Hewgill who took the time and effort to put all the MP3s into one big torrent, and for the 2009 and 2010 editions Ben Stolt has done the same. Torrents of the previous editions have been a huge success and were downloaded more than 100,000 times.

All the tracks have been made available by the artists themselves which means that they are totally RIAA-safe. The first release of the 2010 SXSW edition contains 646 tracks totaling 3.35 GB. A second batch with another 200+ tracks is expected to be released in the near future (edit: it was released a few hours ago).

The torrents include tracks from upcoming as well as established artists in nearly all music genres one can think of. If you’re in for a musical journey at no expense it is absolutely a recommended download.

This year’s SXSW music festival takes place between March 17-21 in Austin Texas. All the tracks released for the previous editions are also still available for those people who want to fill up their iPod without having to invest tens of thousands of dollars.

Article from: TorrentFreak, check out our new blog at FreakBits.

First off, we have to make it clear that the major movie studios are doing great at the box-office, despite movie piracy riding at an all-time high. Other parts of the movie industry, such as video rental outlets, do seem to struggle and they have the studios to thank for this, not piracy.

In January of this year Warner Bros. announced that new DVDs will not be available at online rental outlet Netflix for the first month after they are released in stores. Warner Bros. hoped that this would increase DVD sales. However, the most likely side effect is an increase in piracy and a loss of income to Netflix.

It is a step back in a time where consumers are screaming for on-demand access and the flexibility to choose the option they want for their video consumption. The studios are clearly skeptical of all these ‘new’ technologies and are frantically adding restrictions to maximize their revenues, ignoring all market signals.

The greed of the music studios hasn’t gone unnoticed by Paul Uniacke, head of the Video Ezy and Blockbuster video rental chains. “Studio greed is what’s holding back video-on-demand,” he said in response to the studios demands to pay huge sums of money upfront if they want to offer on-demand streams.

“Movie studios are still as arrogant as the music moguls were before digital downloads and piracy destroyed them. The only thing that’s protecting the movie studios (from more widespread illegal downloading) now is file size,” Uniacke added.

Much like the big music labels, the studios are trying to control how people consume media to an extent where it becomes impossible for innovative retailers to offer a product that can compete with piracy. By this process they are killing their own business and that of many retailers, while blaming piracy for the damages.

Consumers demand convenience, availability and a high quality product for a fair price. Still, the decisions of the music labels and movie studios are mostly heading in the opposite direction as they cling to their old business of trying to safeguard their monopolies.

Article from: TorrentFreak, check out our new blog at FreakBits.

As with most technology, viewing a simple simulator depicting the inner working of BitTorrent is much easier than having to plow through pages of technicalities and insider lingo. So, for those who never got to read up on what’s under the hood of a BitTorrent client, this visualization comes in handy.

The nifty BitTorrent swarm visualization uses processing.js to represent how a BitTorrent swarm works. In particular it may help novices get a grasp on how BitTorrent functions and why it’s capable of sending a gigabyte of data to millions of people in only a few minutes.

As most tech-savvy users know, BitTorrent starts with chopping a file into small pieces. The person who starts sharing the file sends those small pieces to available peers in the swarm. The BitTorrent protocol makes sure that the seed sends pieces to everyone, so they can immediately exchange these pieces with each other.

What follows is a sharing fest of bits and bytes. Your BitTorrent client tries to find the rarest piece that’s available among the peers in the swarm to avoid getting stuck at 99% and sharing relies on fair trading principles (tit-for-tat).

In general BitTorrent transfers go faster if the number of seeders in the entire swarm is higher. This means that a torrent with 20 seeders and 50 leechers should result in a better download speed compared to a torrent with 50 seeders and 250 leechers.

The BitTorrent simulation is a simplified visualizations of this process. It works in all up-to-date browsers except Internet Explorer. Seeds can be added to the swarm with the “s” key and peers with the “p” key. The “r” key allows you to delete seeds or peers from the swarm at random.

In 2006 we wrote about an earlier version of this “BitTorrent simulator,” but because the original is no longer online and since many more people use BitTorrent nowadays, the update is appreciated.

Article from: TorrentFreak, check out our new blog at FreakBits.

The Italian Pirate Bay case came to an end last week after a lengthy legal battle. The Court of Bergamo concluded that The Pirate Bay was engaging in criminal activity by linking to torrents that point to copyrighted material.

The judge ordered all Italian ISPs to block the site’s DNS and all current and future IP-addresses. A few days later the blockade went into effect, preventing millions of Italians from accessing The Pirate Bay.

Many Italians described the ruling as outrageous and labeled Italy as “the new China,” but, as with most technical measures taken to hinder file-sharing, the Pirate Bay blockade is relatively easy to circumvent. True Pirate Bay fans can sign up at a free VPN service to regain access or simply move on to one of the many Pirate Bay alternatives.

The latter is what hundreds of thousands of Italian Pirate Bay users are doing.

The owner of BTjunkie has informed TorrentFreak that he has seen a huge jump in traffic from Italians after the blockade was enforced. His site today received 50% more Italian visitors compared to a week ago, indicating that Italian Pirate Bay users are not planning to stop using BitTorrent.

The problem remains that the Court ruling sets a worrying precedent, and leaves the door open for many more censorship requests to be made against other popular torrent sites. A virtual cat and mouse game will be the result, with the only beneficiaries being the lawyers.

Article from: TorrentFreak, check out our new blog at FreakBits.

KickassTorrents made a name for itself last year by implementing many new features that competitor torrent sites don’t have.

As a result the site’s traffic exploded and by the end of 2009 it got a well deserved entry in the list of most popular torrent sites of the year.

For 2010 KickassTorrents is planning to continue down this road by building a steady user base. The site now serves more than 500,000 searches every day and this figure is going up rapidly. On the development side the site’s operators haven’t been sitting still either.

One of the site’s newest features is a search trends section where users can browse through a listing of the 30 most searched for terms for any given day or month. Aside from the obvious habits, the feature reveals some interesting and noteworthy trends.

It might not come as a surprise that “Avatar” has been the most search for term in January and February, as it was the most popular search nearly every day. Perhaps a bit more surprising is the number two spot for the phrase “Valentines Day” yesterday, making it the 23rd most searched for phrase in February thus far.

Although “Valentines Day” might not be something you would expect the average BitTorrent user to be looking for, it does mimic this weekend’s box-office success of the film carrying the same name. Similarly, the Bollywood hit “My Name Is Khan” has been doing very well in recent days, scooping the number one spot (in the trends list) away from Avatar on Saturday.

Aside from these searches related to current events, there are also quite a few household phrases in the trends list. “French” and “Ita” for example are common search terms on most BitTorrent sites, used by French and Italians to find content in their native language. Both terms are in the top 5 nearly every day.

Other phrases are more time sensitive and only appear in the trends list on certain days of the week. TV-shows such as Heroes, Lost and 24 usually appear there a day after they air on TV, and disappear from it in the days that follow.

Interestingly, the term “aXXo” is still appearing in the top 30 list even though the notorious DVD-ripper released his latest film almost a year ago, long before KickassTorrents even existed. Old habits are hard to kick apparently.

The trends list is a useful resource for anyone interested in search trends that surface on BitTorrent and may serve as inspiration to others. It will be interesting to see how the list evolves over the months to come and how it compares to the top downloads charts we produce at the end of each year.

Article from: TorrentFreak, check out our new blog at FreakBits.

Over the years there have been quite a few starry-eyed companies who believe that they have the answer to online piracy, turning the millions who access unauthorized music online into a significant source of revenue for the recording industry.

The latest outfit set to attempt online musical alchemy are known as MooZar. The company was recently touting its wares at MIDEM and has been running very large, very expensive ads recently, both online and in print. So what miracle are they going to perform?

Imagine this scenario. You’ve downloaded your favorite artist’s latest track from a torrent site, or maybe even a blog or Rapidshare. Half way through listening you suddenly became overcome with guilt – the artist, the label, the copyright holders and everyone else involved in making the track deserve to get paid and you have no way of making this happen.

But then you remember MooZar, the site which enables illicit downloaders to compensate the artists and copyright holders. You head over to the site after the February 26th launch date, admit that you’re a pirate, pay some money into your account, MooZar sends the artist/rights holder some money and all is forgiven. Simple.

In theory.

MooZar seems to be trying to set itself up as some sort of intermediary between creators and downloaders, so in order for this system to work the downloaders/artists/rights holders in question have to create their own MooZar account in advance to be able to send or receive payments.

The amount people can pay is open, but the default minimum suggested payment/donation is set at 1 euro per track, of which MooZar says it will take a 20% handling fee before passing the rest on. Simple thus far, but now the complexity and inevitable politics kick in.

While this type of service might be of interest for artists not on the big labels or those without a deal at all, imagine for a moment those who are already selling their music online, for example on iTunes. If the minimum donation amount is set higher or equal to that on iTunes it wouldn’t make much sense for a downloader to use MooZar. If the price was set to a lower price than iTunes, it could have the effect of driving people away from iTunes and onto file-sharing networks – not that good for Apple.

As the operators of the failing Qtrax ad-supported service might admit privately, the secret of success in this area lies in getting the big labels – EMI, SonyBMG, Universal Music Group and Warner Music Group – on board and supporting the service. While it seems unlikely that these companies will warm to another middle man taking 20% of ‘their’ money, it is even more difficult to imagine a situation where these giants – who have spent much of the last decade trying to destroy file-sharing services and downloading in general through legal action – would about turn and invest in a project which would drive people towards the target of their destruction.

MooZar doesn’t completely overlook the legal issues though. They are proposing a situation where if the donor pays an amount in excess of the minimum fee set by the artist/copyright holder, in effect he/she will have bought an amnesty in the event of a legal dispute. If the amount donated is less than the minimum fee, the downloader is on their own.

However, there is some text, albeit in not particularly clear English, which suggests that downloaders have to pay the artist/rights holder before they download from otherwise illicit sources to get protection. Furthermore, there is no mention that downloaders are able to upload the music they download and be exempt from legal action, which means that this element of the service is useless for BitTorrent users. Indeed, the only way any copyright infringer is pursued on file-sharing networks is due to their uploading, so unless this so-called amnesty includes a license to distribute too (doubtful for 1 euro), it is completely useless.

MooZar are to be praised for trying to find some solution to the ongoing file-sharing wars, but one can’t help being skeptical. The launch is coming soon, so it will be interesting to see what that brings. In the meantime, the marketing info for the service is available here (.pdf).

[via Numerama]

Article from: TorrentFreak, check out our new blog at FreakBits.

Just a few hours after the video of the Vancouver 2010 Opening Ceremony was posted on BitTorrent, it has already been downloaded by tens of thousands of people.

In 2008 Olympic torrents were hugely popular, especially the Opening Ceremony which was downloaded by nearly 5 million people. It is doubtful that this 2008 Olympic record will be broken this year, but nonetheless, there is plenty of interest on BitTorrent for the 2010 Opening Ceremony.

As with most big sporting events there are huge commercial interests involved in the Olympics. This is one of the main reasons why the International Olympic Committee and broadcasters such as NBC have announced a piracy crackdown, trying to prevent their content from leaking online.

“Our aim is to make access to pirated material inconvenient, low quality and hard to find,” said Rick Cotton, NBC’s Executive Vice President commenting on their Olympic mission. It is needless to say that this mission has already failed miserably.

The Opening Ceremony could be watched online through dozens of illegal streams last night, and a few hours later a high quality video of the entire broadcast appeared on file-sharing networks including BitTorrent. Thus far, nearly 100,000 people have downloaded the Opening Ceremony through BitTorrent.

A quick look at the locations of the downloaders reveals that roughly a quarter are Canadians. Another 15% of the downloaders come from the United States, followed by the UK with 5% and The Netherlands and Australia both with 4%.

In the coming days many of the sporting events will also surface online illegally, but the interest for the opening and closing ceremonies tend to be the highest, based on download numbers from the 2008 Olympics in Beijing.

It is expected that the International Olympic Committee will be outraged over this massive rights violation. In 2008 they urged Sweden to take action against the Pirate Bay over the Olympic torrents that they hosted, without result.

Maybe they should start offering their own sponsored downloads in 2012? There is plenty of demand for it.

Article from: TorrentFreak, check out our new blog at FreakBits.

Copyright infringement is big business. Lawyers, nefarious anti-piracy outfits, spammers and scam artists make millions off file-sharers every year. These practices continue to expand as some turn out to be more profitable than actually selling music or movies.

One of the more profitable schemes are the copyright infringement notices that include the option to settle the issue for a few hundred dollars or pounds. After the RIAA scored two major victories against individual file-sharers last year, many people are now eager to settle immediately.

Dorin Lucian Dehelean, security analyst at the University of Georgia responsible for forwarding copyright infringement notices to students and staff, saw an opportunity to make a few bucks off these infringement notices himself.

Instead of forwarding an RIAA notice to the person associated with an IP-address, Dehelean decided to contact a female student accused of sharing copyrighted material with an interesting proposition.

According to UGA campus police chief Jimmy Williamson, Dehelean “offered to make the situation go away in exchange for money.” He promised not to inform Judicial Programs, so the student in question would be free from any kind of disciplinary measures the University usually takes in similar cases.

The student in question didn’t have any money and alerted a University employee who called in the police. The police decided to look into the case and sent over an undercover officer who went over to Dehelean, impersonating the student.

After Dehelean accepted the payment he was fired immediately and taken into custody for extortion practices. According to the campus police, Dehelean may have tried the same trick with other students, and they believe that at least one other student paid up.

“We are running down some leads that may lead us to other victims,” Williamson said. “We have information that makes us believe [Dehelean] might have had another transaction.”

If they’re done with their investigation, it might be a good idea to look into the practices of some copyright holders, to discover if these fall into the extortion category as well.

Article from: TorrentFreak, check out our new blog at FreakBits.

Released in 2008, Max Manus is a Norwegian World War II movie based on the real-life events of resistance fighter Max Manus. Created at a cost of NOK 55,000,000 it was the most expensive Norwegian film production to date.

Shortly after the movie’s 19th December release date an illicit copy of the movie appeared on the Internet. According to producer John M. Jacobsen the recording was made in an empty theater, prompting suspicions that a projectionist was involved.

“I think this is totally reprehensible, and I wish we knew who is behind it,” Jacobsen told Norwegian media. “Anyway we will go after those who have done this quite mercilessly. There are ways to track these things down.”

An investigation was immediately launched by the Filmkameratene studio, to be handled by the Simonsen law firm with notorious pirate hunter Espen Tøndel at the helm. Technicians went to work, systematically going through every copy of the movie sent out to find a match – that meant checking 103 analog and 20 digital copies.

Their detective work paid off. Simonsen said they had not only tracked the correct copy but also identified the IP-address from where the movie was first uploaded to the Internet. They took the information to the police but were notified that the case would not be a priority for them. Simonsen responded by taking the case to the courts.

Simonsen, a law firm which since 2006 had held a license to monitor alleged pirates and collect their IP-addresses, demanded that the ISP connected with the IP-address hand over the identity of the subscriber, something it had thus far refused to do. The request had the support of the Norwegian telecoms authorities which in this case made a special exception to the country’s Privacy Act, enabling the person’s identity to be handed to a group other than the police – if the court agreed.

On May 5th 2009, Simonsen received the decision from the court but the verdict was kept a secret from the public. Espen Tøndel said this was to prevent the possibility of evidence being spoiled. This lack of transparency caused an uproar, with thousands of Internet citizens demanding to know the verdict in this important case. Many argued that if there was evidence to be spoiled, it would’ve been spoiled by now.

Today in 2010, the verdict is still a mystery to the public, but at least one of the parties is disappointed with the court’s decision.

“I can confirm that the case is being appealed to the Supreme Court, but I can not confirm which of the parties has submitted the appeal, as that may indicate what the results were in the previous hearing,” said movie industry lawyer Rune Ljøstad.

The Supreme Court will now have to decide if it’s acceptable for privately owned companies with financial interests in the outcome of a case to be given the power to obtain the identity of an Internet subscriber behind an IP-address, whether or not they committed the alleged offense.

Despite the leak, Max Manus did incredibly well in Norway, breaking all records. Its 2009 theater run yielded almost NOK 200 million across 1.16 million tickets and the DVD sold 400,000 copies in the same year. From recording a loss in 2008, movie company Filmkameratene made a profit in 2009.

“There is a dramatic change for the better for us in 2009,” said producer Sveinung Golimo. “So we are not now concerned about the future.”

Privacy campaigners will look toward the forthcoming Supreme Court decision before sharing in his optimism.

Article from: TorrentFreak, check out our new blog at FreakBits.

Using pirated films as promotional material to sell consumer electronics is nothing new. The John Lewis store has used aXXo rips to sell iMacs in the past and Saturn, Europe’s largest retailer of consumer electronics, showed pirated films to sell Macbooks.

In these previous cases the pirated films were only on display in the stores, but the multinational electronics company LG takes it a step further. The company is selling TVs that have the functionality to accept a connection from an external USB device. This allows customers to enjoy pictures, music and videos directly on their TVs, all with a piracy endorsement from the manufacturer.

In the packaged English language manual, LG does not try to obfuscate the true purpose of this nifty USB feature – playing pirated movies. In the picture below, LG included pirated versions of The Incredibles and The Aviator, while explaining how easy it is to play the films directly on a TV.

LG seems to understand perfectly what customers want, but we doubt that the movie studios will be very excited about this piracy endorsement from the Koreans. Whether the pirated films were included intentionally is unknown, we expect that a company employee simply downloaded the movies off a file-sharing service out of habit or convenience.

Life’s Good isn’t it?

(via Fefe)

Article from: TorrentFreak, check out our new blog at FreakBits.

Written and directed by Jamin Winans, Ink is an indie movie about a mercenary who appears in the dreams of a comatose 8 year old girl. As with most movies, one part of the story was particularly predictable. It was quickly ripped and ended up on BitTorrent.

Just over a week after becoming available online in early November 2009, Ink pushed into TorrentFreak’s chart of top 10 most pirated movies with an incredible 400,000 downloads.

Unlike the majority of Hollywood movie bosses, the creators of Ink – Jamin and Kiowa Winans – decided to embrace their new-found pirate fans after the extra publicity pushed the movie to 16th place on IMDb’s movie meter and boosted DVD and Blu-ray sales. Kiowa wrote to TorrentFreak and said that the movie ending up on BitTorrent was “absolutely” the best thing that could’ve happened to it.

Now, Lars Sobiraj from German news outlet Gulli has interviewed Kiowa to see how things have progressed a couple of months on from the initial excitement.

As previously reported, Ink has been downloaded hundreds of thousands of times, so just how many of those translated into real-world sales? Kiowa says that is really hard to put an exact figure on that – they haven’t sold a DVD or Blu-ray for every download but sales have unquestionably gone up.

Money also came in from other routes too. As the movie gained popularity on BitTorrent, many Ink downloaders suggested that there should be a ‘donate’ button on the movie’s website so that fans could give money freely.

“We put that [donation link] up at the urging of some of the downloaders with the message ‘if you have watched Ink online for free and would like to contribute what you can, click here’,” Kiowa explains.

“Guess what country has been the most generous? Germany! Germans have been twice as generous as Americans so… thank you Germany. We have also shipped a lot of Deluxe Bundle fan packs to Germany so Ink seems to be a big hit there.”

Gulli asked Kiowa if she felt the movie had fallen victim to piracy, a notion she strongly denies.

“I think to say victim is to characterize piracy as an all-together awful thing. The piracy of Ink is unquestionably responsible for its popularity around the world. Sure our trailers have been out for over a year and have had plenty of views outside the US, but we think that 70% of the illegal downloads are coming from outside of the US and we do get a good number of international buyers at our online store every day,” she explained.

Before Ink was pirated, the movie’s IMDb rating was a lowly 12,991. As reported in our earlier article, it reached 16 and even moved up to the 14th position at one stage. Incredibly it has stayed as one of the top 200 movies in the world for the last two months, a feat that would have been impossible without the extra exposure.

Looking forward to future distribution models, Kiowa feels that everything will change during the next 10 years as people demand instant and simple access to media and their TVs and computers merge together into one device.

“That said, I’m not sure what the revenue model will be for films,” she notes. “Hollywood producers are quickly finding out that the instant films start circulating on DVD they will wind up on torrent sites.”

Kiowa broadly puts BitTorrent users into two camps – those who want media in an instant and those who want it for free. Noting that there are those who fall into both categories, she acknowledges the challenges that lie ahead in figuring out a way to make this situation bring revenue to the filmmakers.

“I think a reasonably-priced instant download the moment the movie becomes available would largely cure the piracy issue so we will see how it all shakes out over the next several years,” she adds.

As most observers are aware, many music and movie companies consider torrent sites as entities to be crushed and in recent years have set about a strategy to achieve that. Gulli asked Kiowa if she believes that is the correct strategy to deal with the problem.

While one could argue that non-physical digital formats such as MP3 are part of the reason that piracy has flourished in recent years, Kiowa feels that the invention of the iPod has helped to reduce piracy, largely through the existence of competition from one service – iTunes. The movie industry needs to catch up.

“Until the equivalent of the iPod is invented for film or long-format video files I think that piracy is going to be a huge battle ground, one in which I doubt Hollywood will win,” Kiowa predicts.

“There is always a smarter programmer out there that can move faster than bureaucracy. The film industry really needs to set its sights on overhauling its distribution system. Right now there are horrible things like region-coded DVDs that tie up a film’s rights in various countries and this is what has made the film business plenty of money over the years.”

The industry needs to move its thinking to encompass global distribution, says Kiowa, not concentrate on pushing movies out to dozens of separate territories.

“We are going to keep all the rights to Ink and not give them away country-by-country so that when that iPod-for-movies emerges Ink can be the first film that debuts to the whole world,” she says, adding: “That is the hope anyway.”

Looking to the future, partner Jamin is currently working on scripts for two new films, one a sci-fi psychological thriller called ‘The Frame’ and another a sci-fi fantasy called ‘Myth of Man’.

“For the time being we’re just really happy that Ink is rolling along and gaining fans around the world. How ever people come to the film, we’re just happy that they are watching it, Kiowa concludes.

“As Jamin likes to say, the battle of independent films is not piracy, it’s obscurity. Hey – at least we’re winning that one!”

The full interview conducted by Lars Sobiraj, is available here.

Article from: TorrentFreak, check out our new blog at FreakBits.

Waxy’s Andy Baio has been collecting detailed piracy stats for every Oscar-nominated movie since 2003. Much to the delight of the MPAA, his most recent statistics show that, compared to previous years, fewer Oscar nominees have leaked online.

The statistics for all 2010 nominees, except documentary and foreign films, show that 27 of the 34 films were available on BitTorrent in DVD quality last night. Nearly half of the films have leaked as a screener and 10 of those are estimated to be leaked by Academy members.

Although the majority of the Oscar nominees are available online, the movie industry has certainly scored a small victory. Last year all films leaked in one format or another. On another positive note for the MPAA, the median time for films to leak after their US-release date has nearly doubled to 21 days. In 2003 it took only one day for most films to leak onto the Internet.

On the negative side, there were still 4 films that were available online before they they premiered in US movie theaters. In The Loop, The Hurt Locker, The White Ribbon and The Young Victoria all leaked in advance of their official premiere.

The graph below further shows that there are less retail DVD rips available compared to previous years, 44% versus 100% in 2008 and the years before. As Andy also mentions, this figure may go up a little before the official Oscar award ceremony broadcast.

Although this data suggests that the movie industry is becoming more effective in preventing screeners from leaking online, we have to emphasize that more than a third of the leaks originated from deviant Academy members who like to share the work of their colleagues.

The Oscar screener of Avatar was sent out relatively late, only a few weeks ago. It leaked onto the Internet today and is not included in the graphs above.

Article from: TorrentFreak, check out our new blog at FreakBits.

Avatar has been an enormous success. The film has broken nearly all records at the box-office, and together with The Hurt Locker it was last night’s big winner raking in nine Academy Award nominations.

James Cameron and the rest of the Avatar crew probably cracked open a few bottles of Champagne to celebrate, but today they will wake up with a serious hangover.

Only a few days after the nominations were announced, a DVD screener of Avatar (2D) appeared online. Before today, only a lower quality Telesync copy of the film has been available on BitTorrent and other file-sharing networks.

Ironically, the DVD screener that is now widely available online most likely leaked through one of the Academy Awards voters.

There is no doubt that Avatar will also score big in the list of most downloaded movies this year. The Telesync copy of the film that has been available for over a month was already downloaded by more than two million people.

It is expected that the DVD leak will easily double or even triple these figures. Avatar has been among the most searched for keywords on nearly every torrent site for more than a month already.

Twentieth Century Fox has been extra careful with sending out the DVD-screener of Avatar, as more Academy members received it mid January, just a few days before they had to vote. Although this did delay the leak, it couldn’t be prevented.

How and if the DVD-screener will affect the box-office revenues is up for debate. The film has already grossed more than $2 billion worldwide, which is an absolute record despite the relatively high piracy rate. In fact, high piracy numbers are often an indicator of success at the box-office and vice versa.

Article from: TorrentFreak, check out our new blog at FreakBits.

Running since 1975, the People’s Choice Awards is an awards show which celebrates people and their achievements in popular culture.

At the 2010 event held in early January, Johnny Depp fought off Brad Pitt, Hugh Jackman, Robert Pattinson and Ryan Reynolds to be come Favorite Movie Actor, with Sandra Bullock triumphing in the Favorite Movie Actress category.

In music, Lady GaGa was awarded Favorite Pop Artist, with Favorite Female Artist going to Taylor Swift and Favorite Male Artist going to Keith Urban. During his acceptance speech, Urban had quite a surprise for his file-sharing fans.

After thanking people for voting, those watching the show at home and people who took the time to see him on tour, Urban gave credit to his fan club, Monkeyville, whose members work tirelessly to get his music out there.

“I don’t even care if you download it [my music] illegally, give it to your friends, I really don’t care,” said Urban. “I love the people to hear the music and come out and see us play live.”

It seems that Urban understands the positive influence the free download can have on his tour ticket sales. But speaking with Tennessean.com, Urban now says that his words came out all wrong.

“What I said came out nothing like I meant,” explained Urban. “I was referring to the old days when you’d buy a record, do a cassette tape and give it to your girlfriend, and then maybe she likes it and becomes a fan.”

That’ll be copying music and sharing it round then, just 1980’s style. Nevertheless, Urban is sure of his stance now.

“For the record, I absolutely care about my music not being taken for free,” he added. “But I love when people are passionate and want to turn friends on to music.”

Urban is on RIAA-member Capitol Records Nashville and they cannot have appreciated his comments one little bit, but apparently it was the show format that caused Urban to say something he didn’t mean.

“I’ve never done an awards show where they seem to let you talk infinitely,” he said. “I was waiting for the ‘wrap’ sign to come up, and it never came up.”

Urban’s speech was roughly 50 seconds long, so who knows what he would’ve endorsed if it had gone on for much longer.

Article from: TorrentFreak, check out our new blog at FreakBits.

Billie Ray Martin chalked up a few hits in the past two decades, including collaborations with late 80’s dance group S’Express.

Billy Ray has been remixed by some big names including Junior Vasquez, David Morales, BT, Roger Sanchez and Todd Terry. By embracing BitTorrent and giving away two exclusive remixes, she hopes to reach out to a new audience.

“The reason why I chose this path is as a path to generating renewed attention to my stuff,” Billie Ray told TorrentFreak.

“I’ve been keeping up to date with online developments over the years and frankly I find it more fun than chasing indie labels around, waiting for someone to sign you for no money. It’s more fun to put out my own stuff and part of that is making sure people get to hear it.”

The remixes released on Mininova are part of the forthcoming ‘Crackdown Project’ which will kick off officially on the March 6th at the release party in Berlin.

In the past year Billie Ray has been sending out some free music to blogs, through which she received a lot of positive feedback, but this is the first time she has used BitTorrent to distribute her music.

This doesn’t mean that her music wasn’t available on BitTorrent already, of course. When we asked her how she felt about these unauthorized copies that are floating around, Billie Ray said: “It happens, so I can’t grumble really. I make some money from selling that work still so it’s all good. It’s all pocket-money these days.”

Unlike many other artists, Billie Ray doesn’t seem to have much faith in the new (legal) music streaming services that have surfaced in recent years, labeling them as rip-offs.

“Things like Spotify and Last.fm I do not wish to support. They give free unlimited streaming without paying the artists. They say they do, but they don’t,” she said, adding that she made less than $4 from these services so far. “I think they’re killing music off for good.”

She is not the first artist to complain about the revenue generated by Spotify. Lady Gaga has been complaining bitterly as well, although the labels might be to blame for this, since they tend to keep a big chunk of the money.

From her release on BitTorrent she’s not making any more direct money, that’s for sure, but seeing thousands of downloads in a week might cheer her up a little. Being heard, whether it’s through BitTorrent or Spotify, will eventually benefit artists in the long run.

Article from: TorrentFreak, check out our new blog at FreakBits.